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Plot:
One of the high points of Woody Allen's career. Cecilia (Mia Farrow), a depression-era waitress married to a brutish husband (Danny Aiello), finds her only escape at the movies, her current favorite b...( read more 
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Recent Reviews
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MCT:July 23, 2008
A wonderful film in which a Depression-era woman (Mia Farrow) is swept up literally by a man from the movie screen (Jeff Daniels). An entertaining fantasy/romance.
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MCT:July 8, 2008It's hard not to like this movie. Maybe the best movie about movies and why we love/hate them, ever made.
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MCT:June 7, 2008
Woddy Allen directs another funny, romantic and charming comedy with a lot of style and originality.
What is so special about this film is that it is not only the first one to manage such an original concept and plot, but that is one of the best examples of films that pays tribute to the relevance of the characters, the impact of cinema in our everyday lives and to us, the real-life audience.
Among Woody Allen's most entertaining films, The Purple Rose of Cairo is a sweet tale worthy of being watched over and over again for laughing and learning about films.
84/100 -
MCT:April 19, 2008More of a good idea than a good movie. The whole concept of the character coming off the screen and interacting with this woman is different but I wouldn't run across the street to see it again!
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MCT:March 31, 2008
It's fun enough and an interesting idea for a story. It really never becomes anything spectacular, so I wouldn't go out of your way to see it.
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MCT:March 31, 2008
Cecilia: I just met a wonderful new man. He's fictional but you can't have everything.
Considered by Woody Allen himself to be his favorite film, this film takes a premise set in a surreal world during the depression involving a high concept, romance, and Allen's own love for cinema.
The story centers around Cecilia, played by a lovely Mia Farrow, she is working as a waitress during the depression era. Her husband, Danny Aiello, is a bully and spends his days doing nothing with his friends, and drinks at night. Meanwhile, Cecilia loves to go to the movie theaters.
After having enough of her husband for one night, she retreats to the theater to watch The Purple Rose of Cairo. She sits in the theater for hours, rewatching the movie, when all of the sudden something extraordinary happens. One of the characters, Tom Baxter played by Jeff Daniels, literally breaks the fourth wall by stepping out of the picture after noticing Cecilia watching him, and runs off with her.
Not only is the audience shocked, but so are the remaining characters in the movie. Cecilia and Tom spend time together, meanwhile the studio becomes involved, worrying of danger if one of their characters could do something wrong.
Mr. Hirsch's Lawyer: As your lawyer, I advise you to get control of it fast. A character from one of your productions on the loose? Who knows what he's capable of? Robbery? Murder? I see lawsuits.
This includes the actor who plays Baxter, Gil Shepherd also Daniels, to come and try to reason with Cecilia and Tom to go back to how things were. Problems arise when both Tom and Gil claim to have fallen in love with Cecilia.
Tom Baxter: [To Cecilia] I love you. I'm honest, dependable, courageous, romantic, and a great kisser.
Gil Shepherd: And I'm real.
This movie succeeds do to a number of things. Its very enjoyable for one. The premise is fun and at about 80 minutes, it moves along quickly enough to hit the notes it needs to. The dialog is of course good in the way Allen's style as a writer works. The characters are very entertaining, though I wished for a little more depth on Aiello as the husband. However, I particularly enjoyed Daniels, who is great in both his roles, which are played differently and both work. The overall impact of the story is also effective. Without spoiling much, by the end of the film, it is clear that themes involving cinema vs. the real world have provided for an appropriate conclusion.
As a film it is technically very well done. The art direction is very good, working with both depression era themes, and the events taking place from within the projected films. The soundtrack is lovely. Allen doesn't go overboard with special effects, but the couple scenes involving some trickery are well handled.
This is a very entertaining film, that works with the premise it sets up.
Tom Baxter: Cecilia, it's clear how miserable you are with your husband. And if he hits you again, you tell me. I'd be forced to knock his teeth out.
Cecilia: I don't think that'd be such a good idea. He's big.
Tom Baxter: I'm sorry. It's written into my character to do it, so I do it. -
MCT:March 21, 2008
Not the best Woody Allen movie, but still worth watching, this one doesn't star him, but of course one of his usual suspects in mia farrow.
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MCT:March 19, 2008
The simplicity of this romantic comedy by Woody Allen is superb! A depression-era woman (Mia Farrow) goes to see the movie of the film's title so many times, the leading actor (Jeff Daniels) walks off the screen to engage in a romantic affair. The best parts are the remaining cast on the silver screen as they discuss the missing actor and argue about the necessity of the character.
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MCT:February 28, 2008If Woody Allen ever felt the need to reward his fans with a wonderfully entertaining and all-around sweet movie, The Purple Rose of Cairo would be a perfect choice. The first time I saw this movie, I caught it half-way through on TV, and was so mesmerized by it, that I had to see it from the beginning right away. Once it was over, I was glad I did.
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MCT:February 18, 2008
This is Woody Allen simply at his best, both witty and heartbreaking. Mia Farrow and Jeff Daniels both give beautiful performances. Terrific stuff!
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MCT:February 6, 2008
Wonderful movie about the results of life choices. The battle between fiction and reality, from choosing wealth and fame or romanticism. Great writing, great performances and a surprising ending.
Directing: 4.5
Acting: 4.5
Story: 5
Originality: 5
Visual elements: 5
Impact: 4.5
Enjoyment: 5
Music: 4.5 -
MCT:December 18, 2007
Mia Farrow at her most adorable! But I don't want to give the wrong impression, this isn't a mere star vehicle. It's an enchanting ode to the power of movies. Woody Allen blurs the line between fantasy and reality as a character in Mia's favorite film jumps off the screen and falls in love with her. The actor seeks to find his character to prevent any damage to his reputation, but falls in love with Mia too. Plus she's already married. Best though is the frustrated characters in the film-within-the-film that have nothing to act out without the missing character. Also, great line: "I just met a wonderful new man. He's fictional, but you can't have everything." Very entertaining.
Edit: after a second viewing, I decided I like this more in theory than execution. subtracting half a star... -
MCT:December 10, 2007
Fantastic! A brilliant idea- blending "reality" and "fiction" with the story of a character in a film who falls in love with a woman in the audience. It discusses the difference between Hollywood idealism and real life, what we desire, and what we experience. It's a postmodern bit of fun, but with a melancholy aftertaste.
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MCT:December 8, 2007
Seemingly fantastical and light-hearted, this film taps into the desire of wanting what one can't have. Cecellia longs for escapeism from a life lacking luster while Tom hates his fantasy life and wishes to come to the real world. Which is better? Who's really to say?
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MCT:December 2, 2007Director: Woody Allen...uh...how did I miss this one??
Hm just read this is Woody Allen's own personal favorite!!
[a Flixster friend (JC') review of Dune:] the movie dune the original version of the movie didnt do much justice to the book since it was cut an hour short but there is a special edition of the movie dune wich has the 1984 original theatrical version and the 3 hours and 20 minute directors cut check out the directors cuit it has scenes that was cut from the 1984 version and makes the film even better. overall its a beautoiful film to look at with spectaculkar special effects especially the seqence of the worm and to see aeveral big starsstar in this film way befroe they became famous like virgina madesen, dean stockwell, patrick stewart aka captain jean luc picard on star trek, brent spiner data from star trek, jurgen pronchow the famous german actor from das boot, sting, richard jordan and sean young before blade runner sucxcess and also contains a wondeful score from tangerine. you must watch it just to expereince itSting 1964 Movie DUNE
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MCT:November 30, 2007
One of Allen's most intelligent and inventive scripts with undeniably charming characters. His re-creation of the depression era is pitch-perfect (a brilliant setting for a fantasy film). It is also his bittersweet love poem to cinema.
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MCT:November 24, 2007
I barely recall seeing this but I remember my sister and I both loved it. It was a bit disapointing in the end, but it was still a very sweet movie.
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MCT:November 22, 2007
I never thought a Woody Allen film could be so GOOD without Woody Allen actually acting in it. You can tell Allen really, really loved this film - there's such an atmosphere of realness in this (despite the fact that the story is far from real). There's none of that self-mockery prevalent in many of Allen's films - he completely immerses the audience in the 30s and Mia Farrow's look fits perfectly with the surroundings. The lines are convincingly delivered and it's funny, but not in the usual sharp, zinging humor - it's lighter, fluffier, and infinitely more lovely.
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MCT:November 20, 2007
This is a charming story about the love for cinema, but it lacks the classic wit of Allen's other pictures. It really could've used a better, more energic script, but as it is, it's entertaining and delightful. Mia Farrow is wonderful, as well as Jeff Daniels.
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MCT:November 10, 2007
"He's not real, but you can't have everything."
This perfect Woody Allen's film portrait in a charming way what the cinema meant in the life of the people at the "between war" period. -
MCT:September 4, 2007
My favorite Woody Allen movie so far. Very funny, and the theme is woven into the movie with beautiful consistency. Carefully not melodramatic at any point.
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